David was a sculpture which raised Michelangelo's profile to new heights, eventually leading to the commission for work on the Sistine Chapel ceiling, plus the Last Judgement on an adjoining wall.
The beauty and sheer size of the David sculpture is known to have truly amazed many Florentines at the time that is was first unveilved, and it's popularity meant that it was moved from it's intended location to somewhere else where most local people could enjoy it.
The Piazza della Signoria was where the statue was placed for many years but now there is a reproduction in it's place, with the original being in the Academy Gallery (Galleria dell'Accademia).
Michelangelo was an artist of broad skills who joined Leonardo da Vinci in pushing the Renaissance into all manner of different areas, such as Literature, Architecture and Art. Michelangelo himself, though, will always be best known as a sculptor because of David plus Pieta, another landmark sculpture.
An interesting aspect to the creation and development of the David sculpture was that Michelangelo continued to amend the piece even after it had first been placed on display. This underlines his attention to detail as well as his personal commitment to this particular sculpture.
The David statue was to symbolise so much of what Florence stood for at the time that it was first unveiled, boasting a strength against impending dangers, which in the case of the city would come from other areas of the Papal States of Italy and other countries close by.
It was in 1501 that Michelangelo was given the task of taking an existing block of Marble which had been worked on several times previously, and finally turning it into a completed work that was worthy of the size and cost of the materials. Several other artists were consulted but it was Michelangelo who won the right to take on this considerable challenge.
The sculpture's modern day location in the Galleria dell'Accademia has ensured that the marble can be preserved as best as possible from the elements, having been neglected for many years before even Michelangelo began work on the final piece.
Michelangelo's David is shown in all it's glory throughout this website which covers the famous sculpture in full. There are also prints of it available to buy, from the enclosed links alongside each David image below.
Recommended retailer Art.com offer prints of the David Michelangelo sculpture for those who want to enjoy this exceptional art work in their own homes. Alongside photos of the David sculpture and also pictures of impressive paintings from the career of Michelangelo.
David is one of the most famous sculptures in the world and instantly recognisable, whilst also standing as one of the most respected contributions from the entire career of Michelangelo, labelled by many as a true Renaissance figure.
This website underlines the qualities of the Michelangelo sculpture and also touches on some of the other great works which came from this Tuscan-born innovator, who remains loved all around the world and his contributions have certainly not been forgotten.
Michelangelo was fundamental to the High Renaissance movement and his finest works included David, The Creation of Adam and Pieta. Michelangelo di Lodovico Buonarroti Simoni, which was his full name, was born in Tuscany in 1475 and sits alongside Leonardo da Vinci in spearheading the most important period in Italian art.
Both of these incredible individuals had diverse skills that achieved success in many different fields at a time when people could easily work in different sectors.
Italian art was at the forefront of all of Europe during the 15th and 16th centuries, with Michelangelo helping to put Italian sculpture ahead of all else.
The Renaissance period helped to take art from the Middle Ages on towards all the contemporary ideas which we enjoy today, with the likes of Michelangelo and Leonardo da Vinci serving as a catalyst to the process which eventually arrived at what we have today.
David itself is amongst the major attractions within the cultural side of Italy, and many visitors make sure they get to see it for themselves as a highlight of a short stay within the country.
Many domestic art fans will also journey across the country to see it for themselves and there can be no doubt that is has become probably the most famous and instantly recognisable pieces of sculpture in history.
As a mark of achievement, it is still only one piece of the artist's career which should be studied.
Galleria dell'Accademia, Florence now hosts the 1504 masterpiece from an artist who chose to use Carrara marble for the entirety of this piece.
The confident pose and the accurate male anatomy is what sets this piece out from other notable sculptures to have come from Italy during the Renaissance, which itself was an incredible time in the development of sculpture as an impressive and respected art form alongside the likes of oil painting.
Pieta was a religious depiction of Jesus Christ after his Crucifixion as he his held in the arms of mother Mary.
This sculpture came just a few years before Michelangelo produced David and represents one of his best marble pieces.
The main difference between his Pieta and the others from artists of this period is that Michelangelo chose to portray Mary as considerably younger than others had done.
David depicts the historic character known for his battle and victory over Goliath though Michelangelo chose to depict him slightly differently to how others had at that time.
Typically, the obvious and popular choice was to cover his bravery and success with the symbolic head of Goliath which he had claimed himself during the battle.
David by Michelangelo is somewhat different, though, and offers a more personal insight into the character, and as the artist saw him.
Donatello and Verrocchio both produced their own impressive statues of David with a more familiar approach that was immediately appreciated with the mainstream art world.
Whilst they showed David with the head of Goliath, another Italian sculptor, Andrea del Castagno, chose to depict a more active hero. At that time, Florentine sculptors had always included the beaten villain giant in some form or another, but Michelangelo went against that.
The large size of the David sculpture was impressive to all of Michelangelo's contemporaries at that time and academics agreed at that time that it was certainly one of his most impressive works. Normally, artists, be it painters or sculptors, fail to get recognition until after there death.
Sometimes many generations must pass before their name and career finally get the recognition that they deserve but Michelangelo was certainly not such a person and was greatily admired then just as he is still now.