Whether it be an elaborate fresco, a detailed architectural plan or a study piece for a future sculpture, drawings would be Michelangelo's first port of call.

Such sketches are therefore a link between his breadth of work and many stand out as fine art in their own right. They also provide clear examples of the amount of preparation used by Michelangelo for most of his larger commissions.

In some cases the artist would address individual elements of an overall composition within a preparatory sketch. Often, this would involve a single figure that Michelangelo would use to practice his anatomical details.

Models may be used in order to capture a natural looking finish, be it from the contours of muscles or perhaps the way in which someone might twist during an animated scene.

There are Michelangelo drawings here which may appear unfinished. In reality, the artist reached a point with each where each had served its purpose and he could move on to producing the main work.

Artist Michelangelo did occasionally take his drawings into finer detail and go beyond just study practice. These completed sketches featured stunning complexities and would often be gifted to friends and colleagues.


Madonna, Child and St John Nude Woman on her Knees Plan for a Church Portrait of Vittoria Colonna primo progetto per la sistina project for san Giovanni de' Fiorentini 01 project for san Giovanni de' Fiorentini 02 project for san Giovanni de' Fiorentini 03 project for san Giovanni de' Fiorentini 04 project for san Giovanni de' Fiorentini 05
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Project for the façade of San Lorenzo, Florence Satyr's Head schizzo del primo progetto della volta della sistina, british museum schizzo esplicativo per cavatori con blocchi e misure, casa buonarroti St Anne with the Virgin and the Christ Child studio per figura allegorica studio per la leda, casa buonarroti studio per le fortificazioni di firenze, 1528-29, 01 studio per le fortificazioni di firenze, 1528-29, 02 studio per le fortificazioni di firenze, 1528-29, 03
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studio per le fortificazioni di firenze studio per le fortificazioni di porta al prato studio per porta san gallo Study for a Deposition Study for a Madonna and Child Study for an Annunciation Study for Porta Pia 02 Study for Porta Pia Study of a Head Michelangelo, Study of a Seated Woman
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Studio di Nudo 1 Study of a Kneeling Nude Girl for The Entombment The Holy Family and St John the Baptist The muscles of the left leg, seen from the front, and the bo The muscles of the left leg, seen from the front, and the bones and muscles of the right leg seen in right profile, and between them, a patella The muscles of the left leg, seen from the front The muscles of the leg Triumphal arch Venere con Amore Vittoria Colonna

Most of the artist's work relied on his exceptional drawing skils, which provided the backbone to many architectural designs, frescos and plans for sculptures.

Michelangelo's drawing skills were also called on several times by inventors who needed to portray their ideas in as professional a way as possible, to help in getting investment to make each product come to fruition.

There are hundreds of study sketches remaining from preparatory work for all manner of projects, and the technical qualities found within them make them stunning artworks in their own right.

In recent years there has been a growing interest in the core technical skills of the Renaissance masters such as Michelangelo and Leonardo da Vinci, with frequent exhibitions concentrating solely on collections of their drawings from across their careers.

The beauty of these sketches is in the way that they highlight the fundamental, core skills possessed by the artists which may not be so obvious when paint, marble or other mediums are added later on as those projects develop.